Carl Philipp Emanuel Bach - second son of Johann Sebastian Bach, a lawyer in the early plans, and from 24 years of life totally devoted to music of a German citizen who, while having the same genes as the most talented in the world daddy, with the allowance for a man named godfather Telemann, could not Yet do differently, but to devote himself to composing (on the account - then the bank has not yet - almost 900 songs) and playing the harpsichord and piano (which is great appreciated such as Haydn, Mozart, Brahms, Beethoven, finally.) Unfortunately, we often forget the very talented musically out of the rest of the Bach family, putting on first place (of course there is no doubt that it deserved), Mr. John. It should be noted, however, that at the time, remembered when he made today, Carl Philipp Emanuel Bach, he was respected more than his father.
composition I chose for today is somewhat distant in terms of certain harmonic solutions, and yet so obviously steeped in the spirit and character of the music of Johann Sebastian, without any special problems that can see the family connection between the masters, especially the impact of father to son (and Holy Spirit "- would like to add, and it is possible that Mr. John could have any, systems with the "Mountain"). Organ compositions in the achievements of Carl do not represent such an important position as among the works of John, but is an interesting proposition for lovers of this genre. Listen
therefore first very interesting, unfortunately, short of fantasy to it as soon as fancy as the fugue motywiku pretty slick (I wonder whether, and you would associate with something), well-conducted by the meanders of various chases, transformations and other music freaks. Studying the works of famous offspring cantor of Leipzig, You can certainly come to the conclusion that we are dealing today with a little neglected child prodigy ... after a wonderful daddy.
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